I am analyzing the meanings of the portrayal that a type of person in the media can have on society. For my analysis I will use the movie “Sex in The City.” The qualifications of my analysis are modeled after Bonnie Dow’s (1996) qualifications of arguments in the book “Prime-Time Feminism: Television, Media Culture, and the Women’s Movement Since 1970”. The views I express here are solely my thoughts about the movie. My perspective is not the only interpretation of the movie. I am just offering a consideration of a new way to interpret the movie, in light of my arguments. The series-turned movie allows all four of the movie’s main characters to be powerful women in society; the women are exclusive via wealth, race, sexual orientation (of the women) and even body type. The movie provides some corrections to the hegemony the show illustrated with the encouragement of overspending for all economic classes.
The four main characters of “Sex in the City” are upper-class white women. Apart from the women’s differing hair color, the most diversity in the “Sex in the City,” television series supplied was lacking. In a few episodes one character, Miranda, had a relationship with an African-American male. In a few other episodes another character, Samantha, dated a woman. Among the main character’s representations of diversity those select episodes were all the series offered. While some viewers of “Sex in the City,” may be fit, upper class, white females, most likely are not both. Meaning that while the show offers some attempt at empowering women, through women’s control over men via sex, the women oppress almost all of the viewers. Not many people can afford to purchase $4,000 purses and $400 shoes. In light of the women’s spending habits with little repercussions, makes viewers want to purchase more luxurious items. These luxury items come at a higher cost than a price tag. The items maintain a socioeconomic oppression on lower economic classes, because a person does not make it to a higher economic class by spending unnecessary amounts of money on unnecessary items.
Along with the movie “Sex in the City,” came a new light on the portrayals of the characters. The once-criticized show, for only portraying upper class white women, branched out to illustrate diversity to moviegoers. A character, Carrie, gets an African-American assistant in the movie, of a lower economic class, who comes to New York in search of love and trying to make a name for herself professionally. The assistant, because she cannot afford a designer handbag, rents out the newest designer handbags for a week or two at a time. This illustrates to moviegoers how they should perhaps, not buy outrageously priced luxury items if they cannot afford it. Thus aiding to the movies attempt of correcting some of the hegemony portrayed in the television series. However, while Carrie’s assistant provides some diversity, she is not a main character in the movie- nor is the assistant a focal point of the movie.
Some people might argue that the empowerment of women in the movie, outweighs the lack of diversity provided in other aspects, and they may also argue that a television show is just that: a television show. Additionally you cannot expect a show to be able to touch upon every aspect of diversity, because that is just unrealistic. While the show does empower women, it only empowers the women that fit into the specific molds of the characters. Furthermore, it empowers women primarily through the power of sex over men- which is arguable at best if that is a decent way to obtain power. While I agree, that is it unrealistic to expect a television show to illustrate all diversities equally, the hegemony, represented via the severity of the economic conditions of the women, advocates for an unhealthy society.
Brener, Richard (Producer), Busby, K. A. (Producer). (1998) Sex in the City [Television series] HBO
King, P. M. (Writer, Producer). (2008). Sex in the City [Movie]. New Line Cinema, Warner Bros, HBO Films.